Fresh off a Grammy for Wild and Clear and Blue, the trio put out a record of what they sound like in a room, which is where three-part harmony either holds or doesn't. Aoife O'Donovan walks through the songs and her recent guest turns. A little older than our usual news, included here simply because it's lovely.

Scottish fiddle and cello shouldn't make this much rhythm between them, but Fraser and Haas have been proving otherwise for a quarter of a century. The review singles out Haas's writing, which is worth noticing if you know her mainly as the engine under Fraser's tunes. An August review, here as a bit of decoration.

An Orkney fiddler, a grim Scottish ballad and a Boston-heavy band of players, which makes it a neat bridge between two of this feed's favourite places. Listen for how the strings carry the story while the voices stay plain. She animated the video herself, too.